Sample Recordings
and Book Overviews
Welcome to Piano by Ear! This introduction to jazz, blues, and rock piano will offer clear explanations of relevant music theory, and guide you step by step as you develop your skills.
Above all, Piano by Ear will help you explore
and develop your ability to improvise. Rather than rely on sheet music, you’ll learn to
rely on your ear and
your creative instincts.
Piano by Ear will take you from jammin’ on a couple of easy chords
o playing your own
solos within the jazz, blues, and rock traditions. Music theory and improvising principles will be introduced as they become relevant to the music you’re creating.
The Piano by Ear recordings are offered as a source of inspiration as well as a means of instruction. Most notably, they’ll introduce you to the practice of learning
by ear, directly from recorded
improvisations.
Learning by ear will foster your ability to relate to music based
on how it sounds rather than how it looks on paper. This, in turn, will help you “take your
eyes off of the page,” and create music of
your own. By starting simply and providing careful guidance, Piano by Ear will make the time-honored practice
of learning by ear
readily accessible.
Piano Ability
You’ll just need enough technique to play
chords with your left hand and single notes with your right hand at a relaxed tempo. You’ll also want to have some experience reading music so that you can identify the notes in the written examples.
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[…] Ostwald
emphasizes the most important skills to develop as an
improviser: …melodic inventiveness, an awareness of phrasing,
a highly developed
aural acuity, and openness to experimentation. […] If you spend your
practice time as he suggests, your chops
and ears will come together in short order, and you'll be well-prepared to make a serious approach to
jazz, rock, gospel,
blues, or any other style that involves improvisation. […] The beautifully recorded musical examples provide inspiration as
well as first-rate
practice and
transcription material.
I’d recommend these books to anyone, even experienced players
who may feel they have some gaps to fill in their aural and technical abilities.
— Ernie Rideout
editor-in-chief of
KEYBOARD
MAGAZINE
from his editorial review
* * *
“There is no doubt that Piano by Ear is the work of an experienced and effective teacher. The organization of the books, the clarity of the explanations, and the absolutely wonderful ‘Practicing Pages’ demonstrate mature pedagogy.”
— Ann Collins
professor emeritus of Jazz Studies
at Western Illinois University,
from her review in
AMERICAN MUSIC TEACHER
* * *
“[Piano by Ear]
effectively introduces improvising, ear
training, and music theory, and features beautifully performed
and recorded musical examples. I recommend Piano by Ear for self-study as well as for private and group instruction.”
— Dee Spencer
co-director of the
Jazz and World Music Program at SFSU; board member of The International
Association for Jazz Education
* * *
“Piano by Ear lays out clearly, for the first time
in my memory, a
method for developing the art of playing by ear as it relates to playing jazz, rock, and the
blues. What’s more, the recorded improvisations are of very high quality and should prove both motivational and inspirational.”
— Ken Durling
retailer of
music method
books
* * *
“Piano by Ear is a welcome, modern, and original approach to ear training literature. It’s a user-friendly, wisely written book series, and
I highly recommend it.”
— Mark Levine
author of
The Jazz Theory
Book
and other titles
* * *
“Piano by Ear provides
a clear, practical, and enjoyable way to
acquire both the skill and the understanding
that lies at the heart of improvising.… Listen
up folks, these books
are a bargain at any price.”
— Phyllis Villec
editor of
THE CALIFORNIA
MUSIC TEACHER
from her editorial review
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